Three things you can’t live without: Kindness, sunrise, possibility.
What do you collect? Ideas, experiences, hearts, good vegan recipes.
“it’s a good thing that Stephanie Belding (Lily) has an extensive background in dance and theatrical arts as most of the play featured extensive flocking and heavy mirroring.”
“Stephanie Belding provides great physical agility and an emotional range that is well suited to her pivotal role”
The ever-flowing production depends on Belding, onstage for most of the show. She literally throws herself into the work, and her physicality helps define Lily.
The play concerns Lily (Stephanie Belding), a young woman with an incurable disease who is undergoing an experimental cryonics procedure.
Stephanie Belding plays Lily in “Imprints”
Password for video: Imprints
“Thankfully, I did lots of physical work in my school days; it’s good to dive back into that world. ”
Medium Close-Up: Stephanie Belding (Toronto Stage)
“A National Theatre School of Canada graduate needs no formal introduction.”
The Great Gatsby, Classical Theatre Project (Mooney on Theatre)
“Though I liked all three Nicks, I was most impressed by Stephanie Belding.”
Demon Voice: Provoking questions (Plank Magazine)
“A tightly woven piece interconnecting the lives of six characters – all very different people, all confronting their desires and their fears.”
Unconvincing Voice as bleak as it gets (Langley Advance)
“Rachel (Stephanie Belding) . . . has had her demonic moments, too.”
Playwright Shawn Macdonald pries into the dark corners of intimacy in Demon Voice (Georgia Straight)
” . . . a dark and often surprising six-character exploration of intimacy.”
The Great Gatsby: More of a recitation than adaptation (Toronto Star)
“Fitzgerald’s story has proven more timeless than ever.”